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So why target different formats ? A streaming professional has primarily to master H.264. H.264 is supported by Flash (99% of computers + mobile), iOS, Android, BlackBerry, low-end mobile devices, STBs and Connected TVs. FFmpeg supports hundreds of AV formats and codecs as input and output (for a complete list type ffmpeg -formats and ffmpeg -codecs) but you know that nowadays the most important output format is without doubt H.264. This post is dedicated to the most important parameters and ends with an example of transcoding to H.264. (because of the success of this series I have decided to revise the content of the articles, update the syntax of command lines to recent api changes and extend the series with a fifth part, good reading!)Īfter the short introduction of the previous article, now it’s time to see FFmpeg in action.

PART IV – FFmpeg for streaming (revised 0)

PART II – Parameters and recipes (revised 0)